BSO Board Announces Matching Challenge

The Board of Directors of the Bloomington Symphony Orchestra is thrilled to announce a match of $5,450 for donations made between now and the end of November. Your donations help us to be able to perform in fine venues in the City of Bloomington, to offer free concert tickets to any student who comes with an ID, to introduce new gems, like the Charlie Harmon “Suite from Candide,” and to be able to do all of this at a high level of quality under the baton of Manny Laureano.

You can give to the BSO in three ways:

Preferred: Send a check written to “BSO” to our office at 1800 West Old Shakopee Rd, Bloomington, MN 55431. All funds from these donations go directly to the BSO, and allow us to use every penny of your generous donation.

Online: You may give via our PayPal donation link. This method has a nominal processing fee, but is convenient for many users. A PayPal account is not required — you may check out as a guest — and helps us get about 97% of your donation.

You may also give on our GiveMN.org page. This is the link to use if you plan to make other Give to the Max Day donations on Thursday, November 15. We appreciate that Give to the Max Day makes us eligible for $500 Golden Tickets which are given out at random during the day of giving on November, but this option comes with 7-8% processing fees. You may choose to cover that fee for us, but we know you work hard and want your money to go a long way, too!

Thank you for supporting the BSO’s efforts to enrich the lives of our audiences and musicians with outstanding performances of challenging, educational, and thoughtfully selected orchestral repertoire.

All donations are tax-deductible to the extend of the law.

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“Musical Milestones” Concert Preview No. 2

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the second edition of the “Musings” for the “Musical Milestones” concert that will be performed on Sunday, October 7, 2018.

Violin Concerto No. 1 in A Minor by Johann Sebastian Bach

Johann Sebastian Bach (aged 61) in a portrait by Elias Gottlob Haussmann.

You’re a composer and you love what you do. Furthermore, you want listeners to love what you do, because life is easier when you get a paycheck for doing what you love. Johann Sebastian (1685-1750) saw all of his musical output as a glory to God and he wrote music as a form of payback, whether secular or sacred in subject. So it stands to reason that helping people remember your themes through a clever technique called ritornello. The Italian ritornello means “little return” quite literally.

In other words, this technique which was used by Antonio Vivaldi, the Italian Baroque master, consisted of presenting a theme and bringing it back over and over but always with a hint of development to tease the ear and keep things interesting and compelling. Bach’s style in this first concerto for violin is almost aggressive in the way he pushes his themes at the listener as the intense conversation fairly rages between soloist and accompanying forces. The sweetness of the slow movement that follows in C major gives way to a lively dance in 9/8 time back in A minor.

Michael Sutton, Violin

Michael Sutton, Violin & Conductor
photo by Joel Larson


Join Music Director & Conductor Manny Laureano, for the concert, “Musical Milestones featuring Michael Sutton as soloist and conductor for Bach’s A Minor Violin Concerto. The concert takes place on Sunday, October 7, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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Announcing the 2018-19 Concert Season

The Bloomington Symphony Orchestra is thrilled to announce the 2018-19 concert season, it’s sixth under Music Director and Conductor Manny  Laureano.

October 7, 2018 :: Musical Milestones || BUY TICKETS

November 18, 2018 :: Romantically Yours || BUY TICKETS

February 24, 2019 :: From Boisterous to Pastoral || BUY FLEX TICKETS

May 5, 2019 :: Music in 3D: #6 || BUY FLEX TICKETS

We are excited to perform works ranging from Bach to Bernstein. We hope you will join us for any or all of the season concerts. To learn more, click on the title of the concert and purchase tickets with the link to the right.

You can also click on the images below to download our 2018-19 Season Brochure.

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String Audition Date Announced – September 16

For more information, visit our Auditions page or email auditions@bloomingtonsymphony.org


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“Music in 3D: #5” Concert Preview No. 5

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the final edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

La valse
Maurice Ravel (1875-1937)

It is a delicious irony of a musical life that Maurice Ravel, an Impressionist composer of colors and atmosphere, was so fastidious in the way he did things. This talented, artistic, bachelor “neat freak” might have easily played the role of Felix Ungar had Neil Simon been around at the time.

If one were to open a score to his atmospheric 2nd Suite to Daphnis and Chloe, the eyes would be immediately met by an array of notes so seemingly complex that one would have to wonder how musicians were able to play the thing at all! So it is with his tribute to (and destruction of) the Viennese waltz of the day, La Valse (1920).

It begins with a quiet grumbling in the basses, divided to trill and then play pizzicati that serve as the heartbeat that gives the waltz it’s first life. You might be tempted to scream out loud “It’s alive!” but hold on, for this is just the beginning. He uses his brilliant understanding of orchestration and mind-numbing detail to create a mist-like veil that is lifted slowly like a sunrise to eventually reveal first light. It’s not really about one waltz but, in the manner of Johann Strauss Jr., it is several waltzes played one after the other, some with smooth transitions and others not.

Originally conceived as a ballet, it has received many, many more performances as a showpiece for orchestras showing off their myriad talents and section sonorities. It is all superbly organized to take both orchestra and listener on what is at first a comfortable ride of sensual swings and loops only to become a demonic exaggeration that ends with a comic punchline in 4/4 rather than three quarter time. Advisedly, I say to be wary of finding any deeper meaning in this music than what it is: taking an emotion to its zenith. That said, when you hear the original theme return… buckle up!

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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“Music in 3D: #5” Concert Preview No. 4

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the fourth edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

Fêtes from Trois Nocturnes, L. 91
Claude Debussy (1862-1918)

It is always interesting to see how the visual arts and music seem to express themselves similarly through the ages. From the complex nature of Baroque paintings which often sought to render emotion without the benefit of great exaggeration to the suggestive Impressionist period, music seemed to be a willing accomplice at nearly the same times.

Great composers through the years have never been short on imagination. The greatest of those were always sure to compose and imply rather than hit you over the head with an idea. Whereas Renoir and Monet were content to let you do some of the work with your eye and your mind’s eye, so was Claude Debussy. He risked much in doing so, as his early works and chord progressions were pronounced “bizarre” by the professors at the French Academy in Rome. It was likely that his exposure to various forms of music, such as that produced on the Indonesian Gamelan, acted as a catalyst to an an already active imagination.

Of the Three Nocturnes (1899) the most popular is Fêtes. It is also the most diversely colorful. Set yourself in Paris as evening descends and find yourself in a flurry of human activity. Take a moment to enjoy a glass of wine at an outdoor cafe as a military band approaches from afar until it is right on top of you. Find yourself near the Seine as the last remnants of music fade into the night.

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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“Music in 3D: #5” Concert Preview No. 3

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the third edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

Danse Macabre, Op. 40
Camille Saint-Saëns (1835-1922)

Camille Saint-Saëns, composer

Think of Camille Saint-Saëns as a 19th century composer version of actor Tom Hanks. That is to say that he not only had a wonderful talent for composing stirring and compelling works, but he was able to provide his audiences of both then and now with works that tremendously diverse in spirit and personality. The man that gave us a magical and witty Carnival of the Animals, a darkly majestic Organ Symphony, a peaceful and sensual 3rd Violin Concerto in B minor, and standard-setting A Minor Cello Concerto, would reach into his dark side and take us on a midnight trip to a graveyard for his most-played work, the Danse Macabre (1874).

While it is a tone poem, it is not heavy of plot. It is more about atmosphere with just a few clear indications of a tolling midnight bell (played subtly by the harp) and an early-morning cock crowing which is given voice by the solo oboe. He does provide us with some innovations to stir the imagination in the form of a solo violin with playing a strident tri-tone. He accomplishes this by having our concertmaster tune his open E string down to an Eb. This changes the familiar perfect 5th of the open E and A into the tri-tone originally referred to as diabolus in musica and banned by the church many centuries ago. Another new sound was that of the xylophone making its orchestral premiere in this work. Its brittle sound portrays the terpsichorean talents of the skeletons who take advantage of the lonely and deserted cemetery to revel until the morning sun threatens to reveal them.

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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“Music in 3D: #5” Concert Preview No. 2

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the second edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

Violin Concerto in E Minor, Op. 64
Felix Mendelssohn (1809-1847)

Felix Mendelssohn Bartholdy, Composer

How much we are in the debt of Felix Mendelssohn Bartholdy? Never mind his own great compositions such as the the string symphonies he wrote between the tender ages of 12 and 14, or his lyrical Piano Concerto in G minor. Forget his Fourth Symphony (so-named the Italian) which, even though written in an elegant classical style, broke rules by being still the only symphony to begin in a major key only to end in an explosive minor saltarello. We won’t mention his contribution to the field of oratorios with his piously beautiful Elijah.

If all he had done was to bring back the music of Johann Sebastian Bach to the consciousness of the music-loving public, as he did with his performance of the St. Matthew Passion it would have been enough to secure his place in musical history… but no. He also managed to write the most easily recognized violin concerto in history with his E minor concerto. While he conceived the piece in 1838, he was not able to finish it until quite some time later–in 1844–for his close musical associate and friend, Ferdinand David.

This music is sweet without being maudlin or overdone. It is bold without being brash. It’s first-movement cadenza follows a classical approach without self-indulgent pyrotechnics. It has spoken quite well for itself as a standard-bearer for great violinists for about 170 years!

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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“Music in 3D: #5” Concert Preview No. 1

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the first edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

Rakoczy March from The Damnation of Faust, Op. 24
Hector Berlioz (1803-1869)

Hector Berlioz, Composer

When Hector Berlioz wrote his work, The Damnation of Faust, he took a risk by writing a hybrid work. It traversed the worlds of both grand cantata and opera and the audiences that attended the first performances weren’t quite sure what to do with it. He likely would have preferred clear dislike of the piece but was more upset by what was indifference by the opera-going Parisians. After all, the novel was something that had provided Berlioz with his latest obsession. In human terms, it is easy to understand why the lack of validation for his interest would be disappointing to him. Time changes hearts and minds and the construction and thematic material became more appreciated as evidenced by the many performances that happen world-wide on a yearly basis.

The Hungarian March or Rakoczy was added to accentuate the cynicism that was a part of Faust’s character. This march, which was written earlier and separate from the opera, provides Faust with the opportunity to wonder how soldiers could be so infernally happy (see what I did there?) when he perceived life to be so useless and bereft of anything to celebrate, much less being an enlisted man.

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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Live Performance of “Nimrod” from Enigma Variations

The Bloomington Symphony Orchestra with Manny Laureano, Music Director and Conductor, performs “Nimrod” from Edward Elgar’s Enigma Variations on Sunday, February 25, 2018 at the Masonic Heritage Center in Bloomington, Minnesota.

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