“Journeys” Concert Preview No. 2

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the first of three “Musings” that will be posted in advance of the BSO’s Journeys concert on November 22.

 

Journey Into Jazz (1962)

Gunther Schuller, composer

Gunther Schuller, composer

When it comes to the late Gunther Schuller (1925-2015), it can truly be stated that he led one of the most interesting lives you can imagine.

He was born a New Yorker as the result of his father’s employment as a violinist with the heralded New York Philharmonic. One would think a job like that would be enough to tie the Schullers to America forever but when Gunther was quite young they naively sent him to a boarding school in his ancestral home of Germany… in 1932. Predictably, things did not go well. Between a rather unfortunate accident involving a knife which cost him an eye and the mandatory enrollment in the Hitlerjungend he was unhappy enough to plead to come home to New York City leaving a good deal of ugliness in his life behind him.

Musically, he proved to be prodigious in many ways. His first efforts where in vocal music and he moved to the horn where he ascended to some notoriety. So much so, that he earned the opportunity to play in the New York Philharmonic as a substitute under task master Arturo Toscanini. He dropped out of high school, never went to any music school or conservatory, and called the conductors he played under and the scores he studied his teachers!

What splendid teachers they must have been as Gunther satisfied his thirst to share his musical knowledge with students at the Manhattan School of Music, Yale, and the New England Conservatory. During his tenure as a member of the Metropolitan Opera Orchestra his interest in composing and conducting grew to the point where he left in order to devote his time to writing.

By this time his fascination and love for modern jazz led him to meet up and get to know the luminaries of the jazz world such as Miles Davis, Charlie Mingus, and singer Sarah Vaughn. Jazz began to creep its way into his classical writing. Indeed, one of the movements of his most well-known composition,  Seven Studies on Themes by Paul Klee, contains a piece called “Little Blue Devil”, whereupon the 1st trumpet must play complex lines in a be-bop style.

So, it is no surprise that Schuller was interested in tracing the musical growth of a fictional young trumpeter in his piece, Journey Into Jazz. Protagonist Eddie Jackson learns to play the trumpet in a typical path until he meets some young men who play jazz regularly together. What Eddie learns is that expressing oneself is more than learning technique and notes and rhythms. It is about using an instrument to speak a language from the heart after many years of studying with your head.

Join Music Director & Conductor Manny Laureano, for the concert, “Journeys” featuring Minnesota Orchestra trumpet player Charles Lazarus and his Jazz Quintet, as soloists, along with narrator James Lileks. The concert takes place on Sunday, November 22 at 3 p.m. at the Schneider Theater at the Bloomington Center for the Arts.

To learn more about the concert, click here. You can order tickets online through the Bloomington Box Office or by calling 952-563-8575.

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“Journeys” Concert Preview No. 1

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the first of three “Musings” that will be posted in advance of the BSO’s Journeys concert on November 22.

Overture to the opera, “La gazza ladra

Who would imagine that the subject of an unjust application of the death penalty would be the impetus for an opera?

GiaochiRossinino Rossini (1792-1869) had suffered some previous critical failures when it came to premieres at the La Scala Opera House in Milan. Overall, he was doing well in his chosen career but La Scala hadn’t recognized his talents in a any significant way just yet. It was at that point that he came to know of a play called “La Pie Voleuse” or The Thieving Magpie. The story is centered around a young servant girl who is, naturally, in love with the son of the master of the home in which she serves. She has also attracted the attentions of the local Mayor who is summarily rejected by our heroine, Ninetta. Complicating her situation is her father who has deserted the army after having killed a captain and has recently returned to the town in secret.

As if that isn’t enough, a small silver spoon has been purloined by a magpie for her nest. The blame falls squarely on the hapless servant girl and she is sentenced to death. This part of the plot was influenced by a true event in England in which a servant girl by the name of Fenning had been sentenced to die after being accused of stealing. While no one can truly say whether she did indeed steal but most will agree that death was the harshest penalty she could receive.  In fact, the execution was met with great objection by the populace and helped change the laws later in London. Not to worry for our operatic heroine, as she was spared execution after the revelation that the real thief was a magpie who chose the bright silver spoon for her nest.

As far as the overture goes it is said that Rossini was having a bit of trouble getting things in on time. The deadline (the day before the premiere) for the score to the overture came and Rossini had produced nothing! It is said that he was rounded up and locked into a cell and forced to write it so the musicians would have something to play from. Imagine the scene as pages of the score flew out the window of his musical cell into the waiting hands of his copyist to be written out for the orchestra to play. The performance of the overture was wildly successful and the applause was sustained for a full five minutes… and the opera hadn’t even started!

Join Music Director & Conductor Manny Laureano, for the concert, “Journeys” featuring Minnesota Orchestra trumpet player Charles Lazarus and his Jazz Quintet, as soloists, along with narrator James Lileks. The concert takes place on Sunday, November 22 at 3 p.m. at the Schneider Theater at the Bloomington Center for the Arts.

To learn more about the concert, click here. You can order tickets online through the Bloomington Box Office or by calling 952-563-8575.

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