New Works and Old Friends :: Concert Preview No. 3

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the third entry of the “Musings” for the “New Works and Old Friends” concert that will be performed on Sunday, October 6, 2019.

When you think of composers who had a large output of music of all types, one has to go to the usual suspects like Beethoven, Mozart, and Bach. If one was to further assume that it was one of those aforementioned gentlemen who held some sort of record for the most music written, you would be close but this is serious musicological business, not horse shoes. Nay, that record has to go to Georg Philipp Telemann (1681-1767) with about 900 pieces of music to his credit! This is not bad, considering that the young Georg was almost prevented from fulfilling his desire to be a great musician by his mother who believed that no good could come of this music obsession he had. My favorite quote about that was the admonition from some of the congregants from the Lutheran church he attended that he would turn out “a clown, a tightrope walker or a marmot trainer.” Never have seen a trained marmot, I don’t know that I would have minded that he learn the craft. At any rate, rodents were not in Telemann’s future and he set about studying a wide variety if musical instruments on his own in secret. He wrote and wrote as he matured and traveled to work in many important musical capacities for the great and near great. This came with a cost, however of a couple of marriages that didn’t end well. He did live a long life, dying at the age of 88.

A black and white etching of composer Georg Philipp Telemann wearing a white powdered wig and robes over his writing outfit
Georg Philipp Telemann

Telemann left us with a cornerstone of the viola repertoire, his Concerto for Viola in G Major which was written over a five year period between 1716 and 1721. I’m not sure what the hold up was, but it was the first concerto ever written for the instrument and I suppose he wanted to make sure he got it right. Apparently he did, since the four-movement, slow-fast-slow-fast structure was very appealing. The concerto exploits the wonderful alto voice of the instrument under a variety of articulations and sentiments. If you listen carefully, it will seem that the viola has a uniquely human character and it is perhaps that quality that makes it such a compelling voice to hear in the relationship between instrument and chamber orchestra.

African American violist George Taylor, wearing a robin's egg blue button down shirt, navy suit coat and holding his viola, stands against a colorful wallpapered wall.
George Taylor, viola soloist for the Bloomington Symphony Orchestra concert “New Works and Old Friends” on Sunday, October 6.

Join Music Director & Conductor Manny Laureano, for the concert, “New Works and Old Friends” featuring Eastman School of Music Viola Professor George Taylor as soloist. The concert takes place on Sunday, October 6, 2019, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 952-948-6506.

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