“Musical Milestones” Concert Preview No. 3

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the final edition of the “Musings” for the “Musical Milestones” concert that will be performed on Sunday, October 7, 2018.

La Mer by Claude Debussy

Claude Debussy, composer

It is always interesting to see how the visual arts and music seem to express themselves similarly through the ages. From the complex nature of Baroque paintings which often sought to render emotion without the benefit of great exaggeration to the suggestive Impressionist period, music seemed to be a willing accomplice at nearly the same times.

Great composers through the years have never been short on imagination. The greatest of those were always sure to compose and imply rather than hit you over the head with an idea. Whereas Renoir and Monet were content to let you do some of the work with your eye and your mind’s eye, so was Claude Debussy (1862-1918).

Active imaginations are occasionally fed by real-life experiences or desires. Debussy, whose father had been a proud member of the French Navy, would remark one day when it became clear that the maritime life was not in the cards, “…I’ve retained a sincere devotion to the sea. To which you’ll reply that the Atlantic doesn’t exactly wash the foothills of Burgundy …! And that the result could be one of those hack landscapes done in the studio! But I have innumerable memories, and those, in my view, are worth more than a reality…” So, perhaps it was a good thing that Debussy’s renderings in his colorful work, La Mer, benefited from what what his mind saw, rather than his eyes.

It can be easily argued that Debussy’s craft here led to the single greatest work of the Impressionist period even though, as often happens, the initial critical reception was not stunning. Even critics who were friendly to the composer could not wrap their brains around what they had just heard in 1905. With our contemporary ears, the salt air, the freshness of a welcome breeze, and the sound of fish playing below the surface is inescapable to the point where Minnesotans may recognize a section that was used to sell local spring water on a television commercial!


Join Music Director & Conductor Manny Laureano, for the concert, “Musical Milestones featuring Michael Sutton as soloist and conductor for Bach’s A Minor Violin Concerto. The concert takes place on Sunday, October 7, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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Announcing the 2018-19 Concert Season

The Bloomington Symphony Orchestra is thrilled to announce the 2018-19 concert season, it’s sixth under Music Director and Conductor Manny  Laureano.

October 7, 2018 :: Musical Milestones || BUY TICKETS

November 18, 2018 :: Romantically Yours || BUY TICKETS

February 24, 2019 :: From Boisterous to Pastoral || BUY FLEX TICKETS

May 5, 2019 :: Music in 3D: #6 || BUY FLEX TICKETS

We are excited to perform works ranging from Bach to Bernstein. We hope you will join us for any or all of the season concerts. To learn more, click on the title of the concert and purchase tickets with the link to the right.

You can also click on the images below to download our 2018-19 Season Brochure.

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“Music in 3D: #5” Concert Preview No. 4

Before each concert, we share “Manny’s Musings,” thoughts from our Music Director and Conductor, Manny Laureano. This is the fourth edition of the “Musings” for the “Music in 3D: #5” concert that will be performed on Sunday, April 22, 2018.

Fêtes from Trois Nocturnes, L. 91
Claude Debussy (1862-1918)

It is always interesting to see how the visual arts and music seem to express themselves similarly through the ages. From the complex nature of Baroque paintings which often sought to render emotion without the benefit of great exaggeration to the suggestive Impressionist period, music seemed to be a willing accomplice at nearly the same times.

Great composers through the years have never been short on imagination. The greatest of those were always sure to compose and imply rather than hit you over the head with an idea. Whereas Renoir and Monet were content to let you do some of the work with your eye and your mind’s eye, so was Claude Debussy. He risked much in doing so, as his early works and chord progressions were pronounced “bizarre” by the professors at the French Academy in Rome. It was likely that his exposure to various forms of music, such as that produced on the Indonesian Gamelan, acted as a catalyst to an an already active imagination.

Of the Three Nocturnes (1899) the most popular is Fêtes. It is also the most diversely colorful. Set yourself in Paris as evening descends and find yourself in a flurry of human activity. Take a moment to enjoy a glass of wine at an outdoor cafe as a military band approaches from afar until it is right on top of you. Find yourself near the Seine as the last remnants of music fade into the night.

Join Music Director & Conductor Manny Laureano, for the concert, “Music in 3D: #5 featuring Katia Tesarczyk, violin, and winner of the Mary West Solo Competition sponsored by MNSOTA. The concert takes place on Sunday, April 22, 2018, at 3 p.m., at the Gideon S. Ives Auditorium at the Masonic Heritage Center (11411 Masonic Home Drive, Bloomington)

To learn more about the concert, click here. You can order tickets online through the Masonic Heritage Center Box Office, or by calling 800.514.ETIX.

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